IN MANIFESTO

 

IN MANIFESTO  

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IN MANIFESTO  
IN SITU 
IN BIO

IN SITU Samadhi Marinho is 
HIC NUNC, here and now,   
in situ  , in Latin, which means "a place". 

This term is used to describe an operation or a phenomenon observed on site, where it takes place without removing it or move it, as opposed to  ex situ . The term has specific meanings in many contexts. In contemporary art,  in situ refers to an artistic method or a work that takes into account the place where it is installed.
  

In biology,  in situ  refers to the examination of a phenomenon exactly where it takes place (without removing it or move it to a special medium). Its meaning is intermediate between  in vivo  and  in vitro .

In environmental technology,  in situ  refers to a method of cleaning or amendment of a polluted site.

In electronics, the programming  in situ  refers to the capability of a microcontroller to be programmed directly on the final card ( execution) . Moreover, in the electronic industry, after mounting the electronic components on the board, it goes through what is called  a test Situ , this kind of test is to ensure (1)  the values of resistors  mounted, capacity (2)  Continuity Connections , the different items or there are bad welds and check  also (3) the state of the relay  if there was.

Photo © 2011  Photo Ananda Paunovitch                                              

IN BIO   

The basic principles of conservation IN SITU Samadhi Marinho 

 The principle of the Recycle Act Artistic:

1. Any action conservation of Artistic Act must take into account the time itself, its structure, its nature, but also its environment. 

SITU research the interaction parameters, the consequences and the degree of re-use or re-appropriations of the Artistic Act producing other dynamic.

This "thermo - dynamic" conditions Transfer scalable physical and biological phenomena, especially when it is an Artistic Act giving life to another structure or artistic event. 

Therefore, the aesthetic SITU based on the choice of the nature of the materials of the epidermis and the boundary between in situ e t ex situ, of the paint layer, coatings or bonds.

Resulting from weathering products, punctuation on performance mode of living microorganisms in the form of emerging artists or actors according to their specificities. 

External data, in-probable places or location of programming, surfaces, volumes, characteristics atmospheres current daily variations to a conductivity coefficient.

The Principle of Preservation:

2. The dance / performance in situ of the work is a process or a first step.

The Check, Repoll, Reinterpret in other mode of action is another step.  

This is the record of the history of SITU Samadhi Marinho SIMS,  
its ID-ENTITY , since it allows to present various individually layered works and the artists establishment around a common sense.

In this perspective, SIMS is a constant re-conduction of the work, being in the same instance, the work itself.

More systematically, the operation is to create a trace of the execution of a HIC Nunc, Here and Now, as a product. 

Principle of Conservation of Remains:

3 . The Remains and in situ conservation:

By definition "remnants": trace of something that has been destroyed, what remains of the past, a feeling, an idea, remains, bones, skeleton ... 

The concept is the development limits restorations that could lead to permanent reconstruction questionable, since creation is a Permanent Act. 

A journey inside the ruins must allow the flow to restore and return to creative agencies.

 The work is focused on:

1. Process components

2. Strategies in the choice of locations, 

3. items to keep inside, 

4. the role of various stakeholders ...                 

Through this creative process,   

  

1. ACT IN  The body / mind as a starting point a ANATOMY OF ANTIBODY, organic tool, fluid ... 

2. ACT UP  A kind of plasticity ... The work on consciousness changes states ...   

 (Antiform)

3. ACT OUT  Returning to a remnant, Recycling, Recyclable and Re-appropriation, or the renewal prospects.

 Painting, Sculpture, Installation, Performance, Video, Dance, Poetry, Photography PROCESS ART ...    
Wittgenstein it cites "the best guess of the human soul."

By definition the "body":

" Nm hardware Part of a being ... as opposed to soul to mind ... The exercises, constitution ... Subject ... essential thing ... Part of a thickness, strength ... Being ... collective body and soul, completely ... " 

In issues ... Telling a historie ... At the same moment he creates other opportunities ... 

Diagram of the operation of the pineal gland view Descartes in Meditations (1641) 

IN LINE 

The creation  step by step

  Dance / Video / Photography / Painting / Facilities / Performance / Investigation of interdisciplinary creative process 
   

" What we have seen material bodies and strength are nothing object shapes and variations in the structure of space and time." Erwin Schrödinger 
   

The questioning of the word  Origin  : 

By definition, "  nf  Principe beginning. The origin of life. Origins to our days. Cause Source. Ancestry, extraction medium of a person, a group. Time, place, environment, one thing comes, from from the beginning original product... whose origin or place of manufacture is attested " (Dictionary. Hachette) 

"Origin" is a common basis of resonance of this work, a starting point to an inner necessity ,, on reflection and experiences of each medium, in different times of creation.

From unity to individuality, individuality to an artistic and aesthetic common sense, the center of this cellular process to the periphery, from the periphery to the overall ... The continuity referring to the original ...

Lines of research  "Performance in Dance"   Transmedia    Action / The Word   Origin   Portrait   Recyclart-e     Presence / Absence   Flow / Fluidity   Effort / Power / Nature of effort   Music / Silence   Monochrome    Mainly nature / the state of body condition mind ...     This involves the gradual acquisition of a wider perception   experience.   By extension ... Thickness ...   Projection and resonance.   In -tensité poetry.   A Foundation / Perspective / The sills / The worn / Weightlessness   Laboratories   In this perspective, performance. 

  Deploy ways and places outside the framework of a traditional scene. 
  Inhale / Exhale ocean view to the horizon 
  Diversities of its manifestations: slow / fast, near / far, individual / collective, 
 organic / digital. 
  Distances   
  Partitions, mobile structures / Partners and Partnerships. 

  Sounds languages

            

Investing questioning field that precedes the determination of a shape. 

At the same time, to an authentic movement, in perpetual motion, to generate images that weave our stories / memories / imaginary, direct and indirect perceptions.

Inhale Exhale ... 

  Solo, Duo, Trio, Ensemble.

                                                                                 Photo source unknown for now

                  

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